By David Krasner

ISBN-10: 1405157577

ISBN-13: 9781405157575

A historical past of recent Drama: Volume II explores a amazing breadth of subject matters and analytical ways to the dramatic works, authors, and transitional occasions and hobbies that formed global drama from 1960 via to the sunrise of the hot millennium.

  • Features targeted analyses of performs and playwrights, analyzing the effect of quite a lot of writers, from mainstream icons comparable to Harold Pinter and Edward Albee, to extra unorthodox works via Peter Weiss and Sarah Kane
  • Provides international insurance of either English and non-English dramas – together with works from Africa and Asia to the center East
  • Considers the impression of artwork, track, literature, structure, society, politics, tradition, and philosophy at the formation of postmodern dramatic literature
  • Combines wide-ranging issues with unique theories, overseas viewpoint, and philosophical and cultural context

Completes a finished two-part paintings studying sleek international drama, and along A background of recent Drama: Volume I, deals readers whole assurance of an entire century within the evolution of worldwide dramatic literature.

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Extra info for A history of modern drama / Vol. 1

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Influenced by Shakespeare’s Othello, Woyzeck cries out for proof of Marie’s infidelity. But it is more than the appearance of a handkerchief, Iago’s prop as proof for Othello, or earrings Woyzeck discovers on Marie; likewise Othello, Woyzeck wants to “see” the sin itself, to turn the intangible into the material, to take hold of something abstract and turn it into concrete reality. For Kant, and for Woyzeck, our experience shows us that there are two modes of appearances: that which is phenomena, a visual and sensual recognition of cause and effect, and “noumena,” Kant’s term for what lies beneath and behind the realm of surface appearances.

He murders Marie in a fit of jealous rage. Despite his incapacities, he struggles to make sense of his life, is prone to expressing philosophic ideas, and in this way he can be seen as an alienated precursor to Chekhov’s Uncle Vanya, Arthur Miller’s Willy Loman, Vladimir and Estragon in Waiting for Godot, and the Young Woman in Sophie Treadwell’s play Machinal (in the last case we also have, like Woyzeck, a murderer and an effort to evoke sympathy for the protagonist). Everything that happens to Woyzeck is the result of an oppressive environment, but Büchner avoids sentimentality.

Bell, quoting Clausewitz, says that before the French Revolution, “war was waged in a way that a pair of duellists carried out their pedantic struggles. ” In contrast, Napoleon created “war of all against all. ”97 Napoleon raised massive armies, establishing military service as (hopefully, though often not the case) an honorable insignia for the common folk. This led to a surge in nationalism: loyalty to a nation rather than a monarchy. This also resulted in conscription of itinerates; those unable to secure comfortable wages were recruited into military service.

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A history of modern drama / Vol. 1 by David Krasner

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